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Hans FalladaHans Fallada (born Rudolf Wilhelm Friedrich Ditzen; 21 July 1893 – 5 February 1947) was a German writer of the first half of the 20th century. Some of his better known novels include (1932) and (1947). His works belong predominantly to the literary style, a style associated with an emotionless reportage approach, with precision of detail, and a veneration for 'the fact'. Fallada's pseudonym derives from a combination of characters found in the: The titular protagonist of (KHM 83), and Falada the magical talking horse in. GermanyOccupationWriterKnown for. (1932).
(1947)Early lifeFallada was born in, Germany, the child of a magistrate on his way to becoming a supreme court judge and a mother from a middle-class background, both of whom shared an enthusiasm for music, and to a lesser extent, literature. Jenny Williams notes in her biography More Lives than One (1998), that Fallada's father would often read aloud to his children works by authors such as and.In 1899, when Fallada was 6, his father relocated the family to following the first of several promotions he would receive.
Fallada had a very difficult time upon first entering school in 1901. As a result, he immersed himself in books, eschewing literature more in line with his age for authors such as,. In 1909 the family again relocated, to, following his father's appointment to the.A severe road accident in 1909 (age 16)—he was run over by a horse-drawn cart, then kicked in the face by the horse—and the contraction of in 1910 (age 17) seem to mark a turning point in Fallada's life and the end of his relatively care-free youth. His adolescent years were characterized by increasing isolation and self-doubt, compounded by the lingering effects of these ailments.
In addition, his lifelong drug problems were born of the pain-killing medications he was taking as the result of his injuries. These issues manifested themselves in multiple suicide attempts.In 1911 he made a pact with a friend, Hanns Dietrich von Necker, to stage a to mask their suicides, feeling that the duel would be seen as more honorable. This was due to their emerging (homo-)sexuality, and the views of the society in which they lived - one which was becoming increasingly homophobic. Hence the two young men formed their suicide pact. However, because of both boys' inexperience with weapons, it was a bungled affair. Dietrich missed Fallada, but Fallada did not miss Dietrich, killing him.
Fallada was so distraught that he picked up Dietrich's gun and shot himself in the chest, but somehow survived. Nonetheless, the death of his friend ensured his status as an outcast from society.Although he was found innocent of murder by way of insanity, from this point on he would serve multiple stints in mental institutions. At one of these institutions, he was assigned to work in a farmyard, thus beginning his lifelong affinity for farm culture.Writing career and encounters with National SocialismWhile in a sanatorium Fallada took to translation and poetry, albeit unsuccessfully, before finally breaking ground as a novelist in 1920 with the publication of his first book Der junge Goedeschal ('Young Goedeschal'). During this period he also struggled with addiction, and the death of his younger brother in the.In the wake of the war, Fallada worked at several farmhand and other agricultural jobs in order to support himself and finance his growing drug addiction. While before the war Fallada relied on his father for financial support while writing, after the German defeat he was no longer able, or willing, to depend on his father's assistance. Shortly after the publication of Anton und Gerda Fallada reported to prison in to serve a 6-month sentence for stealing grain from his employer and selling it to support his drug habit.
Less than 3 years later, in 1926, Fallada again found himself imprisoned as a result of a drug and alcohol-fueled string of thefts from employers. In February 1928 he finally emerged free of addiction.Fallada married Anna 'Suse' Issel in 1929 and maintained a string of respectable jobs in journalism, working for newspapers and eventually for the publisher of his novels,. It is around this time that his novels became noticeably political and started to comment on the social and economic woes of Germany.
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His breakthrough success came in 1930/1931 with A Small Circus ( Bauern, Bonzen und Bomben; 'Peasants, Bosses and Bombs') based on the history of the in Schleswig-Holstein and the farmers' protest and boycott of the town of. Williams notes that Fallada's 1930/31 novel '.established him as a promising literary talent as well as an author not afraid to tackle controversial issues'. Said it is one of his best novels, 'it remains one of the most vivid and sympathetic accounts of a local revolt ever written.' The great success of Kleiner Mann - was nun?
( ) in 1932, while immediately easing his financial straits, was overshadowed by his anxiety over the rise of and a subsequent nervous breakdown. Although none of his work was deemed subversive enough to warrant action by the Nazis, many of his peers were arrested and interned, and his future as an author under the Nazi regime looked bleak. A German film of the book was made by Jewish producers at the end of 1932, and this earned Fallada closer attention by the rising. The film, unlike the US film of 1934, bore little resemblance to the novel, and was finally released after many cuts by the Nazi censors in mid-1933.